• Maisfeld (Foto: Lena Sudmann)
    Escape from representation?
    Kristina Pia Hofer

    In this paper, Kristina Pia Hofer reflects on how the significance of material excess in exploitation cinema can complicate and enrich readings that focus on the politics of representation of trash film.
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  • KONICA MINOLTA DIGITAL CAMERA
    The Aesthetics of Neutrality
    Sudeep Dasgupta

    The functional reduction of language to transparent communication manifests itself in the often violent cultural conflicts in contemporary geopolitics. Deploying Roland Barthes’ notion of “the neutral” through analyses of three artistic projects, an “aesthetics of neutrality” is figured as a counter-strategy which escapes linguistic clarity. The aesthetics of neutrality is both a cultural strategy and a political intervention that helps forge figurations which escape identitarian logic while emphasizing troublingly productive forms of being-in-relation.
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  • Landscape (Foto: Lena Sudmann)
    (ES)CAPE: Penelopes Weben als Flucht an Ort und Stelle
    Uta Caroline Sommer

    Inwiefern kann Penelopes Weben als Flucht an Ort und Stelle im Anschluss an Deleuze begriffen werden und welche Akzentverschiebung ergibt sich – daran anknüpfend – mit Michel Serres’ Lesart der Figur der Penelope?
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